Whoever speaks
gets the camera.
Audio-triggered multicam switching, right inside Premiere Pro. Video Follows Audio cuts when the sound changes: it listens to each isolated microphone track, and the moment a different person starts talking it switches to that person’s camera. No timer, no fixed shot length. The audio decides. Perfect for podcasts, interviews, panels, wedding vows and speeches, and any conversation with one mic per voice. Need evenly paced cuts with no mics involved? That is Edimatic.
Your tracks.
Your rules.
Each isolated microphone is tied to a camera. Map Audio 1 to Video 1, or to any other video track. The extension loads your open sequence, listens for the moment one mic goes quiet and another goes live, and places a cut to the matching camera every time it happens. Build your rules, choose Analyze, review the proposed pacing, then create your edited sequence.
Illustrative mappings. Every track is selectable.
Each speaker change on the mic tracks becomes a cut to that speaker’s camera. Not a live Premiere timeline.
Set the pace.
Choose a minimum shot length, including decimal values. Switch half a second early, at the detected change, or half a second late.
Go wide.
Add an optional wide camera for overlapping speakers and visual variety. Choose low, medium, or high frequency, with an optional cut to wide during silence.
Stay in control.
Fine-tune pacing, switch timing and wide-shot frequency. Pause, resume, or stop while your edit is created. Audio editing is optional and off by default. Audio analysis runs locally on your Mac.
Completely non-destructive.
Still your edit.
Your original sequence stays intact. Video Follows Audio creates a separate sequence and works through the timeline from beginning to end, enabling the selected camera and disabling the other mapped angles. Every cut remains editable in Premiere.
How do I set up the sequence?
Synchronize your footage, place camera angles on separate video tracks, and use separate microphone sources on audio tracks. Map the angles you want to switch. Unmapped video tracks remain visible, so keep titles and overlays above your camera tracks.
Is this the same as Edimatic?
No. Video Follows Audio is audio-triggered: cuts happen when a different mic goes live. Edimatic is time-based: cuts happen on a clock from shot lengths you set, with no audio involved. Use Video Follows Audio for conversations and Edimatic for performances and events.
Which version of Premiere does it support?
The Mac release has been tested in Premiere Pro 26.3.2. Premiere Pro is required and sold separately. Windows is not included in this release.
Does it replace editorial judgment?
It builds a first pass from microphone activity. Review the result and refine the timing, framing, and story as you normally would. Clear, separate microphone recordings produce the best starting point.
What audio does it analyze?
It reads source audio locally. Use normal-speed clips with separate microphone sources. Timeline audio effects, gain changes, and source-channel remapping are not included in the analysis.
How does licensing work?
$49 USD, one time. One person can activate up to two Macs. Your purchase includes a unique key. Activate online; a verified license works offline for up to seven days between checks. Deactivate a Mac to move its activation.
Will it change my original sequence?
No. The edit is created in a separate sequence. Camera choices use clip enable/disable, so the footage remains available for further changes. Contact Tographer if you need help.
Hours of switching.
Done in minutes.
$49 USD · one-time purchase