Every camera.
In its time.
Turn a pile of recordings into a timeline that makes sense. Place footage by timestamp or timecode, all in one click.
A common starting point.
Even without common cameras.
Phones, action cameras, cinema cameras and audio recorders can all bring useful timing information. Timestomp puts that information to work.
Choose a view. Gaps on preserves elapsed time. Gaps off packs each track from the start. Illustration, not a live Premiere timeline.
One source. One track.
Drop each camera or recorder’s footage onto its own track in your sequence. Linked camera audio follows its video.
Use the clocks you have.
Detect real file timecode or recorded LTC when present. Otherwise, use recording timestamps. Ignore the date when only time-of-day matters.
Place. Adjust. Repeat.
Press timestomp to arrange the clips. A camera clock off by a minute? Add a track offset and run it again without accumulating shifts.
Placement.
Without the guesswork.
Timestomp gets your assembly close using the clocks recorded with your media. Fine-tune sync in your edit when needed.
Is this frame-accurate or sound synchronization?
No. Timestomp places recordings using timestamps and timecode. It does not match waveforms, correct clock drift, or guarantee frame accuracy. Camera clock settings and metadata quality determine how close the result is.
What happens when a camera clock is wrong?
Apply a positive or negative offset to that track, entered as seconds or HH:MM:SS. Ignore date compares time-of-day only. Record-run timecode needs an offset because it does not reveal the actual shoot time.
Does it handle audio and extracted copies?
Standalone audio gets its own track controls; linked audio follows video. Recognized extracted copies can use their original recording’s timing. Different-length renders are marked Source estimate and may need an offset. Conflicting clips on the same track stop placement so you can put them on separate tracks.
What do I need to run it?
A Mac running Adobe Premiere Pro with CEP extension support. Premiere Pro 2023 or later is the target; your Mac must meet Premiere’s requirements. Apple silicon and Intel media tools are included. No separate FFmpeg installation. File support depends on readable media and usable timing metadata.
How does the license work?
$49 USD once. One person may activate two installations for personal and commercial work. No redistribution or shared licenses. Checkout delivers a download and unique license key. Internet is required for activation and periodic verification; successful verification allows up to seven days offline. Deactivate a Mac before moving to another installation.
What stays on my computer?
Your footage, audio, project names and sequence analysis stay local. Activation sends your purchase key and a random installation identifier to Tographer’s licensing service. Media files are never uploaded for analysis.
How do I install it or get help?
Quit Premiere, extract the download, run Install Timestomp, then reopen Premiere and choose Window → Extensions → Timestomp. Activate with your receipt’s key. Keep your Payhip receipt for download access. Contact Tographer if you need help.
Give your footage
a place to start.
$49 USD · one-time purchase